Screen Jesus: Portrayals of Christ in Television and Film

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Judas Harvey Keitel is also present, bossing Jesus around, establishing his initial character as a man of sin in need of change. We are also introduced to the character of Mary Magdalene Barbara Hershey , and we understand that Jesus has feelings for her.


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Rather substantially, Jesus is afraid of God. He is a cross maker so that God will hate him, because he feels guilt in knowing that he is loved by God, and wishes it would stop. In most Jesus films, Jesus says his actions are guided by the will of God. In this film, it is his fear of God. It is his fear of sinning. He hears voices and talks to himself, and endlessly reinforces his counter-Messiah image. Ultimately, the film does not try to put Jesus in a light above any normal person, but instead on the same level as regular folk.

He is victim to the same weaknesses and temptations. He constantly doubts himself, all the way up to his crucifixion. He persistently questions his own actions and wonders whether or not he is doing and speaking the right things.

The 10 best screen faces of Jesus

This doubt is finally captured at his crucifixion, where under the guise of a beautiful female angel, Jesus is told he is not the messiah and is shown the life he could have had if not crucified. Only after he overcomes this final temptation and asks to be crucified does he transform from a weak, neurotic human into the Jesus we typically understand. Various scenes are constructed to take the confused, neurotic, human Jesus and craft him into divinity.

However, these Gospel events are tied together with fiction and speculation.

The 8 most controversial depictions of Jesus ranked | Guide

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From silent renditions of The Passion Play to 21st-century blockbusters like The Passion of the Christ, Malone examines how the history of Jesus films reflects the changes in artistic styles and experiments in cinematic forms for more than a century. In addition to providing a historical overview of the Jesus films, this book also reveals the changes in piety and in theological understandings of the humanity and divinity of Jesus over the decades.


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